WINDHAM HILL RECORDS
WD-1037 （アメリカ盤）
| # 1 | Marias River Breakdown | (4:56) | <4:57> |
| # 2 | Montana Half-light | (3:45) | <3:44> |
| # 3 | Lou Ann | (5:38) | <5:38> |
| # 4 | Remembering This Place | (2:54) | <2:55> |
| # 5 | Westbound | (3:26) | <3:28> |
| # 6 | High Plains | (3:31) | <3:31> |
| # 7 | The Big Open | (6:11) | <6:09> |
| # 8 | Spring Creek | (3:12) | <3:12> |
| # 9 | Three From The Hills Sweetgrass Once It's Gone... In Every Direction | (6:03) | <6:03> |
| #10 | Going-To-The-Sun | (3:44) | <3:44> |
| #11 | Reflections | (5:22) | <5:22> |
| #12 | No Wonder They Sing | (4:49) | <4:48> |
Produced by Dawn Atkinson.
Executive producer: Roger Voudouris.
All compositions by Philip Aaberg.
All selections Lost Lake Arts Music (ASCAP)
except #11 co-published by Mixed Emotions Music (ASCAP).
Engineered by Samuel Lehmer at Russian Hill Recording, San Francisco, CA
©℗ 1985 Windham Hill Records
（ピアノ・ソロアルバムです。紹介文執筆中。#9は、組曲と言うかなんと言うか、とにかく、3曲で一つのトラックになっています。おそらく2分2秒あたりから始まるのが “Once It's Gone...”、4分1秒あたりからの部分が “In Every Direction” なのだと思われます。）
WINDHAM HILL RECORDS
WD-1069 （アメリカ盤）
| # 1 | Walking Through Walls | (4:39) | <4:42> |
| # 2 | Out of the Frame | (5:16) | <5:20> |
| # 3 | Nevertheless, Hello | (4:47) | <4:51> |
| # 4 | Swoop | (4:26) | <4:29> |
| # 5 | Call and Response | (4:11) | <4:13> |
| # 6 | Elegy | (2:52) | <2:54> |
| # 7 | Before Barbed Wire | (4:53) | <4:54> |
| # 8 | Words Over Water | (5:48) | <5:51> |
| # 9 | Full Court Pickup | (4:00) | <4:03> |
| #10 | Surround | (2:06) | <2:08> |
| #11 | Blue Horses | (4:12) | <4:18> |
| #12 | The Wedding | (2:56) | <3:02> |
| Philip Aaberg | : | Piano and Synthesizers |
| Micheal Hedges | : | Guitar (#1) |
| Brian MacLeod | : | Drums (#1) |
| Kenneth Nash | : | Shaker (#1), Percussion (#5, #9) |
| David Abel | : | Viola and Violin (#3) |
| Barbara Higbie | : | Voices (#5) |
| Mike Marshall | : | Mandolin and Guitar (#7) |
| Darol Anger | : | Violins (#9) |
Produced by Dawn Atkinson and Philip Aaberg
All compositions by Philip Aaberg,
Mixed Emotions Music (ASCAP)/Lost Lake Arts Music (ASCAP)
except “The Wedding” by Abdullah Ibrahim, EKAPA Publishing (ASCAP)
Engineered and Mixed by Tom Size
Digitally Recorded and Mixed at Fantasy Studio C, Berkeley, CA
©℗ 1988 Windham Hill Records
（紹介文執筆中）
WINDHAM HILL RECORDS
WD-1088 （アメリカ盤）
| # 1 | Upright | (3:20) | <3:21> |
| # 2 | As If We Didn't Know | (4:31) | <4:31> |
| # 3 | Every Deep Dream | (4:12) | <4:13> |
| # 4 | Slow Dance | (6:20) | <6:21> |
| # 5 | Oh, Yes | (1:16) | <1:16> |
| # 6 | Welcome to the Church of St. Anytime | (4:07) | <4:07> |
| # 7 | New Life, New Blues | (1:59) | <1:50> |
| # 8 | Why | (1:31) | <1:31> |
| # 9 | Not Wot I Thot | (3:36) | <3:36> |
| #10 | Frogman | (3:30) | <3:31> |
| #11 | The View From Pony, Montana | (2:34) | <2:35> |
| #12 | Crying Smile | (2:12) | <2:13> |
| #13 | Slow Dance (piano reprise) | (7:02) | <7:02> |
| #14 | Thanks | (1:47) | <1:48> |
| Philip Aaberg | : | Piano |
| John Clayton | : | Upright Bass (#1, #9) |
| Vinnie Colaiuta | : | Drums (#2, #3, #4, #9, #10) |
| Don Falzone | : | Upright Bass (#2, #3, #4) |
| Dean Parks | : | Acoustic Guitar (#2, #3, #4) |
| George Doering | : | Electric Guitar (#2, #3, #4) |
Produced by Philip Aaberg and Will Ackerman
All compositions by Philip Aaberg
Published by Mixed Emotions Music (ASCAP)
Administered by Lost Lake Arts Music (ASCAP)
Recorded by Csaba Petocz at Capital Studio B, Los Angeles, CA. Assisted by Leslie Ann Jones
Mixed by Csaba Petocz at Ground Control, Santa Monica, CA. Assisted by Chris Fuhrman
©℗ 1989 Windham Hill Records
（紹介文執筆中。“High Plains” などとはまったく違ったサウンドになっています。）