WINDHAM HILL RECORDS
WD-1001 （アメリカ盤）
| # 1 | The Pink Chiffon Tricycle Queen | (5:29) | <5:30> |
| # 2 | Ely | (5:26) | <5:26> |
| # 3 | Windham Mary | (4:26) | <4:26> |
| # 4 | Processional | (3:41) | <3:42> |
| # 5 | The Second Great Tortion Bar Overland of West Townshend, Vermont, Jose Pepsi Attending | (2:32) | <2:33> |
| # 6 | What the Buzzard Told Suzanne | (4:31) | <4:31> |
| # 7 | Barbara's Song | (7:25) | <7:25> |
| # 8 | Gazas | (4:34) | <4:34> |
| # 9 | Slow Motion Roast Beef Restaurant Seduction | (3:33) | <3:34> |
| #10 | Dance for the Death of a Bird | (3:27) | <3:27> |
Produced by Scott Saxon and William Ackerman.
All compositions by William Ackerman.
All compositions Windham Hill Music (BMI).
Recorded at Mantra Studios, San Mateo, CA.
Engineered and mixed by Scott Saxon.
©℗ 1976 Windham Hill Records
（ソロ・ギターのアルバムです。紹介文執筆中）
WINDHAM HILL RECORDS
WD-1003 （アメリカ盤）
| # 1 | The Bricklayer's Beautiful Daughter | (3:37) | <3:36> |
| # 2 | Balancing | (3:36) | <3:36> |
| # 3 | The Impending Death of the Virgin Spirit | (5:29) | <5:26> |
| # 4 | It Takes a Year | (4:46) | <4:46> |
| # 5 | The Townshend Shuffle | (4:27) | <4:26> |
| # 6 | A Tribute to the Philosophy of James Estell Bradley | (2:37) | <2:37> |
| # 7 | The Search for the Turtle's Navel | (4:49) | <4:48> |
| # 8 | Rain Sequence (From the Townshend Shuffle) | (1:28) | <1:27> |
| # 9 | The Rediscovery of Big Bug Creek Arizona | (3:04) | <3:04> |
Produced by Scott Saxon.
All compositions by William Ackerman.
All compositions Windham Hill Music (BMI).
Engineered and mixed by Scott Saxon.
Recorded at Mantra Studios, San Mateo, CA.
©℗ 1977, 1986 Windham Hill Records
（紹介文執筆中）
WINDHAM HILL RECORDS
WD-1006 （アメリカ盤）
| # 1 | The Wall and the Wind | (3:33) | <3:32> |
| # 2 | The Velvet Gentleman | (3:24) | <3:24> |
| # 3 | Anne's Song | (3:38) | <3:37> |
| # 4 | Childhood and Memory | (5:42) | <5:41> |
| # 5 | Sunday Rain | (3:29) | <3:28> |
| # 6 | Seattle | (3:30) | <3:30> |
| # 7 | Three Hesitant Themes | (5:33) | <5:32> |
| # 8 | Murray's Song | (3:23) | <3:22> |
| # 9 | Bodie | (4:34) | <4:34> |
| William Ackerman | : | guitar, banjo |
| Dave Ross | : | flute (#3) |
Produced by William Ackerman.
All compositions by William Ackerman.
All compositions published by Windham Hill Music (BMI).
Recorded and mixed by Harn Soper at THE MUSIC ANNEX, Menlo Park, CA.
©℗ 1979 Windham Hill Records
（紹介文執筆中）
WINDHAM HILL RECORDS
WD-1014 （アメリカ盤）
| # 1 | Remedios | (5:06) | <5:09> |
| # 2 | Processional | (3:46) | <3:51> |
| # 3 | The Impending Death of the Virgin Spirit | (6:02) | <6:04> |
| # 4 | Pacific I | (2:10) | <2:15> |
| # 5 | The Bricklayer's Beautiful Daughter | (3:49) | <3:51> |
| # 6 | Hawk Circle | (5:03) | <5:03> |
| # 7 | Anne's Song | (3:31) | <3:36> |
| # 8 | Passage | (4:25) | <4:29> |
| Darol Anger | : | violin |
| Robert Hubbard | : | english horn |
| Dan Reiter | : | cello |
| George Winston | : | piano |
Produced by William Ackerman
All Compositions by William Ackerman.
Engineered by Harn Soper, The Music Annex, Menlo Park, CA
©℗ Windham Hill Records 1981.
All Selections Windham Hill Music BMI.
（紹介文執筆中。アーティスト名の中に William Ackerman の名前がありませんが、これはライナーノーツに従った結果で、ちゃんとギター弾いてます）
WINDHAM HILL RECORDS
WD-1028 （アメリカ盤）
| # 1 | Visiting | (6:02) | <6:08> |
| # 2 | Garden | (4:14) | <4:20> |
| # 3 | Three Observations of One Ocean | (3:30) | <3:35> |
| # 4 | Pacific II | (3:09) | <3:13> |
| # 5 | Synopsis | (5:00) | <5:06> |
| # 6 | Ventana | (5:18) | <5:22> |
| # 7 | Threes | (5:01) | <5:07> |
| # 8 | Synopsis II | (4:13) | <4:18> |
| # 9 | Rain to River | (6:19) | <6:26> |
| #10 | Night Slip | (2:10) | <2:18> |
| Chuck Greenberg | : | lyricon (#1, #5) |
| Michael Manring | : | fretless bass (#1, #6, #7) |
| Kronos Quartet | : | string quartet Composed by Dawn Atkinson (#2) |
| Joan Jeanrenaud | : | cello (#3) |
| Mark Isham | : | synthesizer (#5) |
| Darol Anger | : | violin (#6) |
| Michael Hedges | : | guitar (#7, #10) |
| Ira Stein | : | piano (#8) |
| Russel Walder | : | oboe (#8), English Horn (#10) |
| Jamii Szmadzinski | : | violin (#9) |
Produced by William Ackerman and Steven Miller
All compositions by William Ackerman
All selections Windham Hill Music (BMI)
Engineered and mixed by Steven Miller
Recorded at Mobius Music, San Francisco, assistant engineer Oliver DiCicco, and at Different Fur Studios, San Francisco, assistant engineer Don Mack
Mixed at Different Fur Studios, assistant engineer Dale Everingham
©℗ 1983 Windham Hill Records
（紹介文執筆中）
WINDHAM HILL RECORDS
WD-1050 （アメリカ盤）
| # 1 | Conferring with the Moon | (7:33) | <7:32> |
| # 2 | Improv 2 | (3:30) | <3:31> |
| # 3 | Lago de Montañas (Mountain Lake) | (5:01) | <5:01> |
| # 4 | Big Thing in the Sky (For Jess) | (6:36) | <6:36> |
| # 5 | Climbing in Geometry | (6:08) | <6:08> |
| # 6 | The Last Day at the Beach | (6:56) | <6:56> |
| # 7 | Singing Crocodile | (3:21) | <3:21> |
| # 8 | Processional | (3:57) | <3:57> |
| # 9 | Shape of the Land | (3:26) | <3:25> |
| #10 | Garage Planet | (5:03) | <5:02> |
| #11 | Conferring with the Moon (solo) | (2:22) | <2:22> |
| Chuck Greenberg | : | lyricon (#1, #8) |
| Charles Bisharat | : | violin (#1, #5, #9, #10) |
| Michael Manring | : | bass (#1, #5) |
| William Ackerman | : | charango (#3) |
| Enrique “Quique” Cruz | : | quena, zampoña, entara (#3) |
| Bob Hubbard | : | english horn (#4) |
| Ira Stein | : | piano (#5) |
| Philip Aaberg | : | piano (#6) |
| Eugene Friesen | : | cello (#6, #10) |
Produced by William Ackerman and Elliot Mazer.
All compositions by William Ackerman except:
“Lago de Montañas,” by William Ackerman and Enrique Cruz;
“The Last Day at the Beach,” cello choir written and arranged by Eugene Friesen;
“Garage Planet,” by William Ackerman, Charles Bisharat and Eugene Friesen.
All compositions published by Windham Hill Music (BMI).
Engineered by Stephen Hart.
Recorded and mixed at Fantasy Studios, Berkeley, CA.
©℗ 1986 Windham Hill Records
（日本盤は「月に向かって」という邦題がつきました。紹介文執筆中）
WINDHAM HILL RECORDS
WD-1078 （アメリカ盤）
| # 1 | The Moment in Which You Must Finally Let Go of the Tether Which Has Held Your Hope Airborne | (5:42) | <5:42> |
| # 2 | A Region of Clouds | (4:42) | <4:45> |
| # 3 | If You Look | (5:39) | <5:43> |
| # 4 | Floyd's Ghost | (6:18) | <6:20> |
| # 5 | Wondering Again What's Behind the Eyes | (5:50) | <5:45> |
| # 6 | Dawn Treader | (4:21) | <4:21> |
| # 7 | The Prospect of Darrow's Barn and The Blossoms of an Apple Spring on Imaginary Road | (3:03) | <3:05> |
| # 8 | Brother A Teaches 7 | (2:57) | <2:59> |
| # 9 | Innocent Moon | (3:37) | <3:39> |
| #10 | The Moment-Reprise | (0:37) | <0:40> |
| #11 | If You Look-Version II | (5:27) | <5:30> |
| #12 | Darrow's Barn-Version II | (3:05) | <3:05> |
| Will Ackerman | : | parlor guitar (#1, #5), guitar (#2, #3, #4, #6, #7, #12, #13), piano (#6), guitars (#8, #9) |
| Allaudin Mathieu | : | piano (#1) |
| Chuck Greenberg | : | lyricon, Yamaha WX-7 wind synthesizer and Yamaha DX-7 keyboard synthesizer (#3) |
| Michael Manring | : | fretless bass (#3, #8, #11) |
| Philip Aaberg | : | piano (#4, #12) |
| Kifu Mitsuhashi | : | shakuhachi flute (#5) |
| Jill Haley | : | oboe (#7) |
| Charles Bisharat | : | violin (#8, #11) |
Produced by William Ackerman
except “Wondering Again” Produced by William Ackerman and Dawn Atkinson
All compositions by William Ackerman
except “The Moment” by Will Ackerman and Allaudin Mathieu,
“If You Look” by Will Ackerman and Chuck Greenberg,
“Floyd's Ghost” by Will Ackerman and Philip Aaberg,
“Wondering Again” by Will Ackerman and Kifu Mitsuhashi,
and “Darrow's Barn” by Will Ackerman and Jill Haley
All compositions published by Windham Hill Music (BMI) except
“If You Look” published by Windham Hill Music (BMI)/Greenshadow Music (BMI)
Administered by Windham Hill Music (BMI)
Recorded at Studio D in Sausalito, CA and Different Fur Recording, San Francisco, CA
Engineered by Bob Hodas, 2nd Engineer David Musgrove except
“Innocent Moon” and “Darrow's Barn” Engineered by Bob Hodas, 2nd Engineer Devon Bernardoni;
“Dawn Treader,” “The Moment,” and “Floyd's Ghost” Engineered by Stephen Hart, 2nd Engineer Mark Slagle
Mixed by Stephen Hart at Different Fur Recording
©℗ 1988 Windham Hill Records
（紹介文執筆中。#6ではピアノの演奏も披露。お得意の「長い題名」も出てきます。#10と#12は、それぞれ#1と#7の別バージョンですが、オリジナルの曲名を全部書くのが鬱陶しいのか、省略形になってます）
WINDHAM HILL RECORDS
01934 11114-2 （アメリカ盤）
| # 1 | The Opening of Doors | (6:10) | <6:10> |
| # 2 | The 1000 Mile Stare | (3:26) | <3:28> |
| # 3 | Bahia, Nebraska | (4:54) | <4:55> |
| # 4 | A Happy Home in Kathmandu | (4:13) | <4:14> |
| # 5 | Murray's Song | (3:16) | <3:18> |
| # 6 | A Movie of a Placid Lake on a Moonless Night in September | (6:23) | <6:24> |
| # 7 | Last Dance | (3:08) | <3:09> |
| # 8 | Santos and the Well-Traveled Bear | (3:08) | <3:10> |
| # 9 | Silver Gate | (6:13) | <6:14> |
| #10 | The Inexorable Drift of Tectonic Plates | (5:32) | <5:42> |
| #11 | A Movie of a Placid Lake on a Moonless Night in September-Reprise | (3:13) | <3:14> |
| Will Ackerman | : | martin parlor guitar (#1, #4, #7, #8), guitar (#2, #5, #6, #9, #11), 12-string guitar (#3, #10) |
| Tim Story | : | keyboards (#1, #4, #8) |
| Paul McCandless | : | english horn (#1, #8), Oboe (#1, #4, #8), Bass Clarinet (#8) |
| Michael Manring | : | fretless bass (#2, #6, #7, #8, #10) |
| Mark Summer | : | cello (#3) |
| Sapphron Obois | : | soprano sax (#6, #7) |
| Buckethead | : | electric guitar (#6, #10) |
| Phil Aaberg | : | piano (#9) |
| Michael Spiro | : | percussion (#10) |
| Steven Miller | : | vocal percussion (#10) |
Produced by Steven Miller and William Ackerman
All compositions by William Ackerman except
“Santos and the Well-Traveled Bear,” “The Opening of Doors,” and “A Happy Home in Kathmandu” by Will Ackerman and Tim Story.
All compositions published by Windham Hill Music (BMI), except
“Santos and the Well-Traveled Bear,” “The Opening of Doors,” and “A Happy Home in Kathmandu” published by Windham Hill Music (BMI)/Seventh Chance Music (BMI),
administered by Windham Hill Music (BMI)
All songs recorded at Jim Reitzel Productions, Kentfield, CA, except
“The 1000 Mile Stare,” recorded at Bonneville Communications, Salt Lake City, UT on June 21st and 22nd, 1991
All songs engineered by Steven Miller, assisted by Jim Reitzel, Nancy Scharlau and Ron Rigler, except
“The 1000 Mile Stare,” engineered by Rick Starr, assisted by Loren Ashcraft
All songs mixed by Steven Miller at Different Fur Recording, San Francisco, CA; assisted by Matt Murman, except
“The 1000 Mile Stare,” mixed by Dawn Atkinson and Haward Johnston at Different Fur Recordings, San Francisco, CA, assisted by Nancy Scharlau
©℗ 1992 Windham Hill Records
（紹介文執筆中。初めてディストーションのかかったエレクトリックギターが登場。これもまた、不思議な雰囲気です）
WINDHAM HILL RECORDS
01934 11121-2 （アメリカ盤）
| # 1 | The Bricklayer's Beautiful Daughter | (3:38) | <3:36> |
| # 2 | Processional | (3:57) | <3:56> |
| # 3 | Ventana | (5:22) | <5:21> |
| # 4 | Santos and the Well-Traveled Bear | (3:11) | <3:09> |
| # 5 | Slow Motion Roast Beef Restaurant Seduction | (3:34) | <3:33> |
| # 6 | Visiting | (6:10) | <6:08> |
| # 7 | Anne's Song | (3:37) | <3:37> |
| # 8 | The Impending Death of the Virgin Spirit | (6:06) | <6:06> |
| # 9 | Climbing in Geometry | (6:09) | <6:09> |
| #10 | The Opening of Doors | (6:12) | <6:10> |
| #11 | Brother A Teaches 7 | (3:00) | <2:59> |
| #12 | Seattle | (3:31) | <3:30> |
| #13 | Lago de Montañas (Mountain Lake) | (5:01) | <5:01> |
| #14 | Hawk Circle | (4:25) | <4:25> |
| #15 | Region of Clouds | (4:46) | <4:45> |
| Will Ackerman | : | guitar (#1, #2, #3, #5, #6, #7, #8, #9, #12, #14, #15), martin parlor guitar (#4, #10), guitars (#11), charango (#13) |
| Chuck Greenberg | : | lyricon (#2, #6) |
| Darol Anger | : | violin (#3) |
| Michael Manring | : | fretless bass (#3, #4, #6, #11), bass (#9) |
| Tim Story | : | keyboards (#4, #10) |
| Paul McCandless | : | oboe (#4, #10), bass clarinet (#4), english horn (#4, #10) |
| Dan Reiter | : | cello (#8) |
| Charles Bisharat | : | violin (#9, #11) |
| Ira Stein | : | piano (#9) |
| Enrique “Quique” Cruz | : | quena, zampoña, entara (#13) |
| George Winston | : | piano (#14) |
| Michael Hedges | : | guitar (#14) |
Executive Producer: Dawn Atkinson
All compositions written by William Ackerman except
“Santos and the Well-Traveled Bear” and “The Opening of Doors” written by Will Ackerman and Tim Story;
“Lago de Montañas (Moutain Lake)” written by Will Ackerman and Enrique Cruz.
All compositions published by Windham Hill Music (BMI) except
“Santos and the Well-Traveled Bear” and “The Opening of Doors” published by Windham Hill Music (BMI)/Seventh Chance Music (BMI).
Compilation ℗ 1993 Windham Hill Records
（紹介文執筆中。ベスト盤です。個々の曲のプロデューサーやエンジニアは省略しました。#2は数あるバージョンの中から Conferring with the Moon に収録されているものが選曲されています。#14は、オリジナルアルバムではなく An Evening with Windham Hill Live という企画アルバムからの選曲です）
WINDHAM HILL RECORDS
01934-11250-2 （アメリカ盤）
| # 1 | Shella's Pictures | (5:19) | <5:18> |
| # 2 | A Child's Song | (4:00) | <4:00> |
| # 3 | Driving | (5:33) | <5:33> |
| # 4 | Lion's in the Sky | (6:35) | <6:35> |
| # 5 | Unconditional | (2:56) | <2:49> |
| # 6 | Sound of Wind Driven Rain | (8:14) | <8:14> |
| # 7 | Wings on the Water | (5:32) | <5:32> |
| # 8 | Pontchartrain | (3:06) | <3:06> |
| # 9 | I Know This River | (3:56) | <3:55> |
| #10 | Hawk Circle | (9:23) | <9:22> |
| #11 | Mr. Jackson's Hat | (2:41) | <2:41> |
| Will Ackerman | : | Guitar (#1, #3, #4, #6, #7, #8, #9, #10, #11), Parlour Guitar (#2, #5) |
| Samite | : | Vocals (#2, #6, #10) |
| Michael Manring | : | Fretless Bass (#3, #4, #8, #10), Bass (#8) |
| Charlie Bisharat | : | Violins (#3) |
| Philip Aaberg | : | Piano (#4) |
| Rob Eberhard Young | : | Guitar bass notes (#5) |
| Paul McCandless | : | English Horn (#8) |
| Marc Shulman | : | Ambient Guitar (#10) |
| Gerry James | : | Rainstick (#10) |
| Jackline Rago | : | Frame Drum (#10) |
Produced by William Ackerman and Corin Nelsen
All songs written by William Ackerman except
A CHILD'S SONG which was written by Will Ackerman and Samite Mulondo.
All compositions published by Imaginary Road Music (BMI) except
A CHILD'S SONG which is co-published by Imaginary Road Music (BMI) and Samite Artistic Productions/Samite Music (BMI).
Administered by Imaginary Road Music (BMI).
Recorded and mixed by Corin Nelsen at Imaginary Road Studios, Windham County, VT.
Supplemental recordings at Different Fur, San Francisco, CA engeneered by Howard Johnston, assisted by Adam Munoz
Samite vocals; recorded by Corin Nelsen at Imaginary Road Studios. Supplemental vocals recorded by Arif Verner at Infinite Sound Studio, Ithaca, NY and by Samite at Samite Artistic Productions Studios, Ithaca, NY.
©℗ 1998 Windham Hill Records
（紹介文執筆中。実に６年ぶりの新作でした。ギターだけでこんなにも厚みのある音を作り出す技巧は、まだまだ健在。初めてボーカルが使われています）